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Never did Kate Bush sound more grounded, more in control of her songwriting than on her sixth album from 1989, featuring stories that play out like intimate vignettes rather than fantastical fairy tales.
Made in the wake of the end of a long relationship, it’s an intimate, after-dark record that exudes the toughness and femininity of Janet Jackson circa Control and Annie Lennox on DIVA, exerts the classic songwriting of Kate Bush.
There's definitely a spontaneaty and a sort of a meditative quality to the music, because it was just my emotion coming through, into my hands and out through the musical instruments I chose that day, or whatever I was feeling that day.
With each track, the album pays homage to the rich heritage of Reggae and Dancehall, showcasing Little Lion Sound's unparalleled ability to blend and curate these genres with finesse.
The Strokes' fifth album is immediately appealing as they sound like they’re genuinely having fun. At times it feels like a mixtape the Strokes made for themselves: 11 songs, 11 different genre experiments.