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Arriving on the heels of an uneven decade -- when a pair of high-charting releases failed to match the sales of their early albums and their founding lineup was effectively reduced to a duo -The Killers roared back with their triumphant sixth album. 2020
Made in the wake of the end of a long relationship, it’s an intimate, after-dark record that exudes the toughness and femininity of Janet Jackson circa Control and Annie Lennox on DIVA, exerts the classic songwriting of Kate Bush.
Chaos Angel takes the spare, viscerally honest songwriting she has made her name on and goes deeper and bolder. Both her most sonically sophisticated and thematically nuanced collection to date, it feels like a culmination.
There's definitely a spontaneaty and a sort of a meditative quality to the music, because it was just my emotion coming through, into my hands and out through the musical instruments I chose that day, or whatever I was feeling that day.
There's definitely a spontaneaty and a sort of a meditative quality to the music, because it was just my emotion coming through, into my hands and out through the musical instruments I chose that day, or whatever I was feeling that day.
The third LP from Melbourne trio Georgia Maq, Kelly-Dawn Hellmrich and Sarah Thompson is about what happens after chaos hits; when you've walked through the fire and come out stronger, calmer and happier than ever before.
Little Simz delivers an undeniable modern classic, effortlessly condensing any number of disparate styles and genres into music which thrillingly broaches the gap between urgent modern treatise and hip hop.
"The Scottish band’s first studio album in seven years considers the importance of togetherness with clear, aphoristic language and a few musical experiments." -Pitchfork
Hans Zimmer's score to Dune: Part Two is a majestic and sweeping masterpiece, befitting one of the year's best films. Hans Zimmer is a master of contemplative and epic themes, delivering both equally here.