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'Blood On The Tracks' – and boy howdy, did he mean it! Released in 1975, this is Bob's best post-Sixties album: a set of songs by turns angry, caustic and bitter and then rueful, wry and weary.
Music from throughout Sigur Rós’s career, twisted, bent, broken, and finally added to in the band’s Reykjavík studio, to create a new perspective for a dance piece of the same title initiated and created by Taiwanese choreographer Cheng Tsung-Lung.