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The band delivers six powerful performances, playing with white-hot intensity on Henderson's originals "A Shade of Jade," Caribbean Fire Dance," and "Granted," as well as Morgan's swinger "Free Wheelin'."
Featuring a quartet with Sonny Clark on piano, Butch Warren on bass, and Billy Higgins on drums, GO! Was a showcase of Gordon's limitless creativity on hard-swinging numbers as well as his peerless artistry on ballads
Jimmy Smith was a self-taught pianist who helped popularize the Hammond B3 organ with a revolutionary style that caught the ear of Alfred Lion at Blue Note who later dubbed him The Incredible Jimmy Smith.
On Cautious Clay's deeply personal Blue Note debut KARPEH, the singer, songwriter, multi-instrumentalist and producer takes an artistic leap forward with an ambitious yet introspective album about growth.
While Joy’All pulls from a bounty of sonic inspiration–from classic soul to ‘90s R&B, as well as country and classic singer-songwriter records–the album’s rich and intimate, warm live sound is the hallmark of eight-time GRAMMY-winning producer Dave Cobb.
BOBBY HUTCHERSON / SAN FRANCISCO (BLUE NOTE CLASSIC VINYL SERIES) Limited 180gm vinyl LP pressing. The musical partnership between vibraphonist Bobby Hutcherson and tenor saxophonist Harold Land fully blossomed on the 1970 album San Francisco.
Ron Miles wrote most of the music to Rainbow Sign in the summer of 2018 as his father was passing away. It's both a loving dedication and a riveting spiritual document that scores the journey from Earth to eternal peace
Drummer Art Blakey recorded Indestructible-his final album for Blue Note-in 1964 with a powerful sextet line-up of The Jazz Messengers featuring Wayne Shorter, Lee Morgan, Curtis Fuller, Cedar Walton, and Reggie Workman.
Time and troubles seem to melt away during the fifteen enrapturing minutes of "Idle Moments," the opening track of Grant Green's sublime 1963 album of the same name.
A decade into his recording career, pianist Horace Silver made the album that would endure as the crown jewel of a catalog that boasts numerous hard-bop classics.
Moanin' was the perfect crystallization of the band’s bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time.
When Shorter entered Van Gelder Studio on Christmas Eve with Freddie Hubbard, Herbie Hancock, Ron Carter and Elvis Jones, they created a masterpiece with Speak No Evil, a transcendent set of six Shorter originals...
Julian Lage returns with Speak To Me, his remarkable fourth release for Blue Note, which finds the guitar virtuoso broadening his sonic palette in collaboration with esteemed producer Joe Henry who enhances Lage's trademark melodic lyricism on this wide-r
Mosaic opens with a flourish as the band launches into the magnificent title track composed by Walton, and the set also includes memorable compositions by Shorter ("Children of the Night"), Fuller ("Arabia"), and Hubbard ("Down Under" and "Crisis").
The tenor saxophonist had already notched several hard bop masterpieces in his belt, but No Room for Squares was an even more ambitious effort that found Mobley elevating his game as a bandleader, improviser, and a composer.
On Cautious Clay's deeply personal Blue Note debut KARPEH, the singer, songwriter, multi-instrumentalist and producer takes an artistic leap forward with an ambitious yet introspective album about growth.
Ike Quebec's aptly titled 1961 album Heavy Soul was a soul jazz masterclass with the tenor saxophonist joined by Freddie Roach (organ), Milt Hinton (bass) and Al Harewood (drums).
Tenor saxophonist Hank Mobley had been recording for Blue Note for a decade when he made his excellent 1965 album A Caddy for Daddy featuring a first-class sextet with Lee Morgan, Curtis Fuller, McCoy Tyner, Bob Cranshaw, and Billy Higgins.
Robert Glasper's 2005 Blue Note debut, Canvas, signaled the arrival of a singular new voice in jazz. His 2007 follow-up, In My Element, solidified his status as a rising star who was taking the music some place new.
