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On February 7, 1960, tenor saxophonist Hank Mobley with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, laid down what would become his masterpiece: Soul Station.
Jackie McLean pushed boundaries in this 1961 recording of A Fickle Sonance. McLean shows his artistry by being one of the few Jazz artists to incorporate freer jazz melodies into his hard-bop style.
Ron Miles wrote most of the music to Rainbow Sign in the summer of 2018 as his father was passing away. It's both a loving dedication and a riveting spiritual document that scores the journey from Earth to eternal peace
On 1964’s Into Somethin’—his first album for Blue Note—Larry Young made it abundantly clear that he had his own unique approach to the Hammond B-3 organ.
Julian Lage returns with Speak To Me, his remarkable fourth release for Blue Note, which finds the guitar virtuoso broadening his sonic palette in collaboration with esteemed producer Joe Henry who enhances Lage's trademark melodic lyricism on this wide-r
Jimmy Smith was a self-taught pianist who helped popularize the Hammond B3 organ with a revolutionary style that caught the ear of Alfred Lion at Blue Note who later dubbed him The Incredible Jimmy Smith.
The All Seeing Eye is Wayne Shorter's brilliant and multi-layered album for Blue Note. His goal was to use "a wider range of colors and textures" while continuing his explorations of "life and the universe and God."
Drummer Art Blakey recorded Indestructible-his final album for Blue Note-in 1964 with a powerful sextet line-up of The Jazz Messengers featuring Wayne Shorter, Lee Morgan, Curtis Fuller, Cedar Walton, and Reggie Workman.
