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Tago Mago the first album with Damo Suzuki on vocals, features the Can line up of Holger Czukay on bass, Michael Karoli on guitars, Jaki Liebezeit on drums and Irmin Schmidt on keyboards, and was recorded at Schloss Nörvenich in 1971.
Harsh, brittle, and disjointed, critic Mark Fisher wrote in Fact that the album was a 'delirial montage of funk, free jazz, Jamaican audio-mancy and the avant-garde.'
Bridging the gap between the improvisatory rock jams of their earlier recordings, Monster Movie and Delay 1968, Soundtracks also laid the foundations for their more electronic and experimental sounding work, such as Tago Mago and Ege Bamyasi.
Holger Czukay and Irmin Schmidt left behind their careers in academia to form the influential group in the late 60s. Together with Michael Karoli, Jaki Liebezeit and Malcolm Mooney, they recorded Monster Movie in a castle near Cologne in 1968.
Renowned avant-garde artist Phew returns to Mute for the album, New Decade. Working within the medium of voice and analog electronics, New Decade fuses her ghostly vocals with intense droning textures and clamorous guitar feedback.
Can was founded in 1968 by Irmin Schmidt, Holger Czukay, Michael Karoli and Jaki Liebezeit who formed a group which would utilize and transcend all boundaries of ethnic, electronic experimental and modern classical music.
Hurry Up, We're Dreaming is a double album journey that takes us to the horizon and introduces us to new landscapes. About awakening, craving, and conquering, Hurry Up, We're Dreaming pushes into new vocal territory for M83.
A Certain Ratio's ACR: EPR on colored 12" vinyl. This release completes A Certain Ratio's 2021 trilogy of EPs and was recorded with the internal brief of "anything goes... "
A Certain Ratio's ACR: EPR on colored 12" vinyl. This release completes A Certain Ratio's 2021 trilogy of EPs and was recorded with the internal brief of "anything goes... "
A band out of time, Crime & the City Solution were perennial outsiders who could not rest in their native Australia, and instead found inspiration in the colder climes of London and Berlin.
José González makes a little go a long way. Armed with just a dexterously plucked Spanish guitar and his own warm but clipped vocals he paints intimate portraits that sound like classics from a golden singer/songwriting yesteryear.
The Bridge was originally released on Throbbing Gristle's Industrial Records label in 1979 and is considered to be an early electronic avant-garde synth-pop masterpiece.
This record compiles for the first time, both periods of Cabaret Voltaire together on one release- all remastered from original files. It contains singles and popular tracks and also includes single mixes not previously available digitally.
Old fans will note a substantial difference between this 2008 album and M83's previous releases; Saturdays = Youth is more shoegazey in texture and more pop in construction.
Full of tape-manipulation, computer noise and feedback, D.O.A. epitomizes Throbbing Gristle's unparalleled anti-music, cementing their status as "wreckers of civilization."
Gonzalez strikes a balance between stripped back arrangements-just Jose's intimate vocal and exquisite nylon string guitar work-and tracks driven by groovy drum machine loops and other percussive elements.
