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A hobo’s bindle full of twangy tremolo, reverb-drenched revenge, and existential echo. Songs of alienation, paranoia, dark alleys, betrayal, prison, prostitution, trains, gun play, feminine betrayal, and the dusty, lonely road of self discovery.
A part of the "Eccentric" single LP compilation series, in the same style as our Eccentric Funk and Eccentric Disco releases. A simple digestable run-down of favorite genre specific tracks.
The tenth volume of Numero's elaborately packaged Cabinet of Curiosities series, L80s finds the group exploring the far-flung corners of the global downtempo underground.
Just as Duster’s landmark debut album Stratosphere was making its first orbit, Clay Parton, Dove Amber, and Jason Albertini tracked a largely improvised companion capsule, an ode to ’70s Kosmische - a skeletal space nap for the prozac generation
Bound for Hell is early '80s L.A. rock as it actually was: a California cataclysm of drunk and horny headbangers, dressed in sharp, shiny, leather androgyny and fire, kicking crowds in the teeth to clear the way to that one big shot.
Every feedback squeal, bass chug, and hi-hat sizzle of what would be Unwound's final 37 shows was taped, the most compelling bits of which have been edited into a cohesive snapshot of a band at the end of an incredible run.
Daddies don’t always come home for Christmas. From the snow-covered plains of Wisconsin’s Driftless region to the palm-lined avenues of Los Angeles, the loneliness of the holidays is a universal theme, best expressed by tear-in-the-beer country music hope
Spacey, out of tune space rock that got really, really big on TikTok for some unexplainable reason! Songs on this album crackle with tape hiss, flicker in and out of lucidity, and sometimes remember they are trying to be punk.
Set sail with the third installment of Numero's ode to regional radio surveys. Broadcasting 44 minutes of uninterrupted yacht, easy-glide, AOR, and blue-eyed disco that'll rock your boat.
This previously unissued soundtrack contains a backpack’s worth of grieving guitars, somber surf, and haunting hiss, zipped tight with the teeth of abandonment, dashed dreams, moral ambiguity, fate, tearful goodbyes, and lukewarm diner coffee.
Direct from the mixing board at a stop on Codeine's 1993 swing through the Midwest, opening for Mazzy Star, this finds Stephen Immerwahr, John Engle and Doug Scharin running through their hits at Chicago's Lounge Ax for a crowd of chatty "120 Minutes" fan
While Duster went into hibernation in the year 2000, Clay Parton's four-track never stopped rolling. Recorded alone at home over several years, Birds In The Ground is an album of 30-something, post-9/11 malaise.
A couple years into the new millennium and the emo scene that once had enough space for a band as brazen in their fusion of slowcore, jazz, and post-hardcore as Boston's Karate would barely be reflected in a cookie-cutter style commercialized by major lab
London's V4 Visions imprint documented the confluence of street soul, deep house, swingbeat, and jungle sounds emanating from the clubs and pirate radio signals. This 18-track double LP is the first critical overview of the label.
The Scientists proved to me that rock 'n' roll could be played by gentlemen in fine silk shirts half unbuttoned and still be dirty, cool and real." —Thurston Moore
Ten songs of talk-whispered vocals, sloshing guitar solos, scattered snare rolls, Velocity Girl's Sarah Shannon, and the original version of Codeine's slowcore classic "New Year's," on LP for the first time in 30 years.
