KING WOMAN, the outfit featuring songwriter, vocalist and “tour de force of gloom and woe” (Rolling Stone) Kris Esfandiari, return with their eagerly-awaited sophomore album, Celestial Blues.
San Francisco's King Woman unveil their debut full-length Created In The Image of Suffering, a profoundly crafted opus of brooding, ethereal doom-rock.
One of the earliest death metal albums from one of the biggest death metal bands. While not as technical as future releases, this album showcased a lotta power and brutality.
Propelled by singer Dorthia Cottrell’s beautifully haunting bellow, WINDHAND’s dual guitar attack sounds like the glorious misfit offspring of Black Sabbath and Nirvana. An easy candidate for heavy music record of the year.
A sludge-stoner rock powerhouse, loaded with crushing riffs, thunderous rhythms, and infectious hooks. The Portland quartet doubles down on heavy fuzz and anthemic choruses, channeling the raw energy of metal with a beer-soaked sense of fun.
The Swedish power trio channel the most exciting elements of driving rock and crushing stoner sludge to produce one of 2019's most gripping and heavy albums.
Double vinyl LP pressing. Digitally remastered and expanded 25th anniversary reissue of the Japanese noise artist's legendary Tauromachine album, now remastered by James Plotkin and featuring unreleased bonus material.
Legendary kings of death metal Dying Fetus have reemerged after a nearly three year wait to deliver Reign Supreme, their most crushing and focused album to date.
Two decades into their journey as ritualistic black metal conjurers, Wolves have emerged from the forest with Primordial Arcana, their most majestic album to date.
A 26-song compilation released to celebrate the band's 20th anniversary. The album features non-album tracks, singles, B-sides, rarities, and more, showcasing the band's evolution throughout their career.
Darkest Day of Horror is the fourth studio album by death metal band Mortician, originally released in 2003. Heinous horror-lords Mortician reanimate the golden age of low-budget splatter, hammering home gruesome anti-music.
