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WaxTime Reissue. Coltrane's quartet joined by a big ensemble to bring the number of musicians to 21. It's big band sound, with the unusual instrumentation of French horns and euphonium, presented music very different from anything that Coltrane had done.
180 Gram Vinyl - Each LP has it's own unique sticker!! - On all tracks Lyrics by VINÍCIUS DE MORAES Music by ANTÔNIO CARLOS JOBIM [except "Samba em Prelúdio"
"Moonbeams was the first album Bill Evans made after the death of his musical right arm, bassist Scott LaFaro. An album of ballads, it was a startling return to the recording sphere and a major advancement in Evans' development as a leader." -Thom Jurek
Recorded at the Newport Jazz Festival, Muddy Waters drove the crowd into a frenzy with his famous guitar licks and his Delta growl, truly a thrilling presence on the stage.
The single most influential album of Western songs in post-World War II American music, Gunfighter Ballads and Trail Songs touched a whole range of unexpected bases in its own time
Cannonball Adderley and Bill Evans, both alumni of the Miles Davis group, would meet for the last and most potent time on Know What I Mean? Includes a version of Evan's Waltz for Debby.
On vinyl for the first time in decades, this was Muddy' Waters's first, and Chess Records' third, LP release, collecting his hit singles for the label to that point.
Monk's Dream is an album by jazz pianist Thelonious Monk that was released by Columbia Records in March 1963. It was Monk's first album for Columbia following his five-year recording period with Riverside Records.
Chet's voice is tender and beautiful, and at the same time his phrasing always swings and surprises. Initially issued as a 10- inch Long Play containing eight songs, the success of this album led to it being reissued adding songs of other later sessions.
Moanin' includes some of the greatest music Blakey produced in the studio with arguably his very best band. There are three tracks that are immortal and will always stand the test of time.
Now cited as one of his best albums, Waltz for Debby was a live album from Bill Evans' trio and was the companion release to the critically acclaimed Sunday at the Village Vanguard.
WaxTime Reissue. Arguably Coleman's most concise statement. Pushing the boundaries of bop and ushering in elements of the avant garde. Backed by a masterful band, Coleman made himself a commanding presence with "The Shape of Jazz To Come."
B.B. at his boasting best; his modern style that crosses rock & roll and R&B with the jump blues is fully developed here, and his consistency from track to track during those crazy days is remarkable.
