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Indebted to classic kraut, dreamy Creation-records psychedelia, and the primitive-crunch of late-80s Seattle, the band walk a divisive yet perfectly fused patch of classic-underground influence on their debut LP.
Dinosaur (later to be renamed Dinosaur Jr.) recorded their debut album in 1985 for $500 at a home studio in the woods outside Northampton, Massachusetts. On the strength of that album, they begin to play shows down south in NYC. There they met Sonic Youth
If you love grunge/punk/indie or the like, you love this. Originally released on the venerable SST labels in the 1980's, this reissue stays true to form.
Vocalist/guitarist J. Mascis sounds somewhat brighter and more emotional than in recent times, and his guitar work is as stellar and incendiary as ever. All in all, 'Farm' sees Dinosaur Jr. continuing to rock out inventively and satisfyingly.
At times wholly 70's guitar-epic, at times perfect for sitting by a babbling brook with Joni and Neil, these songs get into your head and stay there, bouncing happily around.
2012 release from the Alt-Rock heroes, the third Dinosaur Jr. album since the original trio J Mascis, Lou Barlow and Murph reformed in 2005. And, crazily, it marks the band's 10th studio album since their debut on Homestead Records in 1985.
Appropriately disheveled, the Three emerge from the unending waves of time to pick up their guitar drum and viola / violin / piano / synthesizer / loops / percussion for their first album in a decade.
Nick Reinhart can shred. As a member of Tera Melos, he’s helmed four full-length albums of complex, experimental indie rock prominently comprising intricate rhythms, effects-driven psychedelia, and a giddily rewarding path of most resistance.
Off Planet features some of the most exciting and dynamic music Django Django have ever produced. Harking back to their more experimental and electronic roots, the album also features guests such as Self Esteem, Jack Penate and others.
Limited 25th anniversary edition on transparent yellow vinyl of Don Caballero's third album, What Burns Never Returns (Originally released in 1998, Touch and Go Records).
Recorded when they were still in high school, The Donnas' 1997 debut was and will forever be one of the most infectious, sing-along slabs of punk ever waxed. Owing no small debt to the Ramones, the girls turn the sex, drugs, and rock and roll dial up to 1
Better production? Check. Better musicianship? Check. A more mature attitude? $#@! no! Released just a year after The Donnas' first, self-titled record, American Teenage Rock N Roll Machine slowed the tempos a bit-think more Runaways and KISS, less Ramone
The Donnas' major label debut for the Atlantic label, where they went after recording a quartet of classics for Lookout! 2002's Spend the Night was by far the band's most popular album, hitting 62 on the Billboard charts
Sic Alps/Peacers frontman steps out solo! Fractured pop tunes like Guthrie if he dropped a tab. Mike's got the answers, and he definitely knows how to get his record played in shops.
Baltimore’s 21st century-style Stooges rock back into the world with an isolation-times mixtape full of surge-n-swag, digi-fuckd, indie-rocked, and fully hyphenated-as-fuck Dope furies.
