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Pod is the bands 1990 debut and is continually ranked as one of the best albums of the 90s. Recorded by Steve Albini in 10 days, it was released to critical acclaim and Kurt Cobain called it one of his favorite albums of all time.
The band delivers a straight forward sound that stays stripped-down and gritty. This deliberate stylistic choice from producer Steve Albini is a perfect match for Kim Deal's already quirky and off-center delivery.
A defining album of the 90s, Last Splash by The Breeders turns 30 this year. To celebrate, the band have returned to the original tapes to give it it's first-ever remaster, and by doing so have also unearthed two lost tracks that will delight fans.
Most of these songs actually feature only the work of Newcombe himself, dating from a series of all-night studio experiments that proved to be his immersion in the recording process.
Volume 2 continues to mine the period of 1995 through 2004 and includes key tracks from all of The Brian Jonestown Massacre's albums as well as live recordings and many otherwise unreleased tracks.
Take It from the Man! Is gritty, swaggering R&B-influenced rock, delivered with remarkable assurance and attitude; singer Anton Newcombe is half-madman and half-shaman, and he commands each delirious moment with absolute mastery.
This seminal catalogue encompasses the albums Work And Non Work, The Noise Made By People, Haha Sound, Tender Buttons, The Future Crayon and ...Investigate Witch Cults of the Radio Age.
Vinyl LP pressing. Includes digital download. Archive release. Originally released as tour-only CD EPs in 2003 and 2005, those EPs have been compiled and remastered. Contains 21 instrumental tracks.
2000 debut album by the British indie electronic band Broadcast. The album failed to chart in the United Kingdom or the United States but was released to critical acclaim.
The trio-Oliver Baxxter [vocals], Domenic Reid [guitar], and Patrick Diaz [bass]-architect a thematic vision as expansive and engaging as their seismic and soaring alternative pop hooks.
2014 sophomore album from the musical partnership comprised of Brian Burton (Danger Mouse) and James Mercer (The Shins). The duo's Grammy-nominated debut, Broken Bells, reached the Billboard Top 10 in it's release week.
The fourth full-length album released by Built to Spill, originally released in 1999. BtS is in full pop song mode here. Clean and direct tunes that get stuck in your head for days.
Doug Martsch's unbelievably great new album (and his eighth full-length)... with a fresh new label. When the Wind Forgets Your Name continues expanding the Built to Spill universe in new and exciting ways.
Bunuel's amalgam of angular rhythms, drum salvos, blitzkrieging guitars and vocals that sound more like threats than promises is post-punk, proto heavy and arty up the ass. Arty as in avant-garde noise.
All Her Plans, the third album from Melbourne, Australia's Cable Ties, finds the trio of Jenny McKechnie, Shauna Boyle, and Nick Brown at their punchiest and most assured.
Neon Pill is the highly anticipated new album from Cage the Elephant, and group's first new music since their album, Social Cues, which won Best Rock album at the 2019 GRAMMY Awards.
2019 release, the fifth studio album by rock band Cage the Elephant. Social Cues follows Cage the Elephant's Grammy-winning Tell Me I'm Pretty from 2015, as well as their 2017 live album, Unpeeled.
