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Electronic Music from 1972-2022 seeks to frame fifty years of Carl Stone's compositional activity, starting with Stone's earliest professionally presented compositions from 1972 up to the present.
Electronic music maestro Danny Tenaglia returns with the grand finale of his acclaimed Global Underground trilogy, and it's a sonic journey not to be missed.
This edition features holographic artwork housed inside a transparent PVC outer sleeve with holographic skull print. Featuring two previously unreleased tracks.
Thundercat is set to release his new album It Is What It Is on Brainfeeder Records on April 3, 2020, and shares the first music; 'Black Qualls (featuring Steve Lacy and Steve Arrington). The album, produced by Flying Lotus and Thundercat, features musical
Thundercat is set to release his new album It Is What It Is on Brainfeeder Records on April 3, 2020, and shares the first music; 'Black Qualls (featuring Steve Lacy and Steve Arrington). The album, produced by Flying Lotus and Thundercat, features musical
The Golden Age of Apocalypse offers both stone-cold skill and uncanny astrality, picking up where the Flying Lotus left off on 2010's Cosmogramma. RSD 10 year anniversary edition.
Anything in Return serves as a tidy synopsis of everywhere Bundick has taken Toro Y Moi to date. So there's silky R&B, roller-rink pop, bubblegum funk, tasteful chillout music, all unified by a voice that's grown more confident with time. -Pitchfork
In the massive catalog of toro y moi this album stands up high as a heartbroken ode to club beats. the synths on this record are so crisp and the inventive production can't be touched. what happens when indie meets hip hop?
FREAKING OUT finds Columbia, South Carolina's Chaz Bundick reveling in twenty minutes of boogie, roping in the heavy sounds of groups like the Gap Band and Mtume.
The album blitzes anthemic pop-punk next to autotuned, melancholic rap - two genres that inform one another now more than ever before - and packs in the most features ever on a Toro y Moi album.
Genre and sound-encompassing the shaggy psychedelic rock of the 1960s and '70s, and the airy sounds of 1990s mod-post-rock-taking listeners on an auditory expedition, as if they're riding in the back of Bear's Filipino jeepney that adorns the album's cove
Toro y Moi's 'Sandhills' is both a tender love letter to Chaz Bear's hometown of Columbia, South Carolina, and a poignant, bittersweet acceptance that one can never really go back home
The 2nd album, a combination of soft rock, pop, and in some cases, bits of soul and disco, which creates an alluringly hazy backdrop for Bundick's emotive, mellow vocals.
Sven Torstenson's notorious Drugs is a loopdigga's fever dream, bursting with breaks for days and featuring possibly the most iconic cover of all library music's cult classics.
Housed in gatefold jacket. For Richard Dorfmeister and Rupert Huber, the idea of rebirth is a creative driving force - an artistic device which not only informs their work, but anchors it.
Above all, the 10 tracks have a glorious Indie Rock sound, with a lot of dynamics, distorted driving twang-guitars and haunting synths alongside four beautiful melodic vocal tracks.
Safe in the Hands of Love marked the vanguard arrival of Yves Tumor. Unclassified and unannounced, the release received widespread acclaim and cemented itself as a landmark in the hallowed Warp catalog. The experimentalist voiced a new generation, creatin
Previous Tycho releases came to fruition when an amalgam of songs were nearing completion, but Awake is where music becomes the focus and true expression becomes the result.
"Nostalgia is a common thread in my work," says Hansen, "but this album wasn't driven by that idea. I see these songs as arti- facts from a future which might have more in common with our past than our present. "
