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The Avett Brothers' 'The Gleam III' on CD is a must-have for any fans of Americana music. With its harmonious blend of folk, rock and country, this album features standout tracks like 'We Americans' that showcases the band's signature sound.
The Third Gleam marks a return to the Avett Brothers’ roots, both sonically and with Seth & Scott playing as a trio with longtime bassist Bob Crawford.
The 11th album from the acclaimed Americana outfit. The Avett Brothers return with their first album in five years. Produced by longtime collaborator, friend and early champion Rick Rubin.
The album journeys through the indie folk landscape they had previously etched out, now adorned with touches of eerie, atmospheric, and occasionally dissociative tones.
The stars have finally aligned and the triple-tailed comet has reappeared. Keep your ears to the skies for another momentous encounter with Bad Books III.
The third studio album by Julien Baker. It marks a sonic shift, with the songwriter's intimate piano and guitar arrangements newly enriched by bass, drums, keyboards, banjo, and mandolin with nearly all of the instruments performed by Baker.
With Turn Out the Lights, Baker returns to a much bigger stage, but with the same core of breathtaking vulnerability and resilience. From it's opening moments - when her chiming, evocative melody is accompanied by swells of strings - Baker throws open the
Mala was recorded in his then-home in Los Angeles. He and Georgeson played most of the instruments themselves, using borrowed equipment and a vintage Tascam recorder they d found in a pawn shop
"I just waited for the record to build itself. I'd get up and go outside, see a butterfly and connect that with some impulsive thought I'd had three months ago and suddenly a song I'd been working on would make sense." -Baxter
For Leap, Bay worked with some of the most sought-after producers and songwriters including Foy Vance, Dave Cobb, Ian Fitchuk, Joel Little, and FINNEAS.
Ribbons yields folkloric charm with an organic palette, incorporating a mostly acoustic-led approach exploring '60s and '70s psychedelia, soul, ambient, electronic and field recordings.
How Long Do You Think It’s Gonna Last? marks Big Red Machine’s second album and follows their 2018 self-titled debut. Dessner produced the album at his Long Pond studio in upstate New York, and it features an array of guest vocalists.
