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Nanci Griffith's Other Voices, Other Rooms is more than just a heartfelt collection of folk classics—it marks her debut on Elektra, a label that played a pivotal role in fostering the singer-songwriter movement of the '60s.
2009 saw the release of Veckatimest, which debuted at #8 on the Billboard Top 200 and sold nearly half a million copies around the globe. This break-through album is being made available now for the first time on 180 gram, heavy-weight vinyl.
The only album I'll listen to when it's raining! Dragging a Dead Deer Up a Hill is Grouper's acoustic folk record-- less ambient than most of her albums but still stunning. Acoustic guitar, analogue synth, and absolutely stunning shoegaze-y vocals.
The first entry in Numero's Margo Guryan series arrives as a limited edition pic sleeve 45. Side A features the previously unreleased 1966 yé-yé inspired burner "I Ought To Stay Away From You," paired with her latter day viral smash "Why Do I Cry."
Take A Picture is Margo Guryan's one and done classic - one of record collecting's real unheralded masterpieces - bright, breezy, lightly psychedelic, and utterly cosmopolitan, recorded in New York City no less.
From humble beginnings to the peaks of her 1968 baroque pop masterpiece Take a Picture and the collected Demos , Words and Music captures the entirety of Guryan's career, featuring 16 previously unreleased recordings and a 32-page booklet telling the whol
From humble beginnings to the peaks of her 1968 baroque pop masterpiece Take a Picture and the collected Demos , Words and Music captures the entirety of Guryan's career, featuring 16 previously unreleased recordings and a 32-page booklet telling the whol
BEN’S NEW ALBUM THE NATURE WITHIN – HIS MAJOR LABEL DEBUT – IS THE CULMINATION OF A LIFELONG JOURNEY TO UNDERSTAND THE INNER FORCES THAT HAVE SHAPED HIS LIFE AND THE LIVES OF THOSE AROUND HIM.
Chaos Angel takes the spare, viscerally honest songwriting she has made her name on and goes deeper and bolder. Both her most sonically sophisticated and thematically nuanced collection to date, it feels like a culmination.
This record reckons with childhood in Sweet Tooth and Driver, with regret in Luna Moth, Crazy Kid and Sticky Little Words, with anger in South Elroy, Restless Moon and Over. It's about rebirth and acceptance. I’m crawling back to myself.- Maya Hawke
Stripped of all of the bells and whistles, the Head and the Heart are as homespun and simple as they come, and it's in that state of undress where those relatable words and melodies most resonate.
Hickey calls it a pop record but admits that sonically it moves in many directions, an amalgamation of his love for the folk singers of yesteryear and more contemporary peers.
The sharpest and most autobiographical that MC Taylor has written under the Hiss Golden Messenger name read as a sort of epistolary, postcards between the present-day songwriter and his alias Michael Crow, a teenaged dreamer very much like Taylor himself.
Songwriter and bandleader M.C. Taylor's music is at once familiar, yet impossible to categorize: Elements from the American songbook-the steady, churning acoustic guitar and mandolin, the gospel emotion, the eerie steel guitar tracings, the bobbing and we
Holy Hive's beautifully simple-and-sparse Folk Soul sound is back-but updated. With new influences and the challenge of creating and capturing music during a global pandemic, this new self-titled album, is more personal, more reflective.
The fourth full-length album from the Indiana-bred, platinum-selling band marks a return to what Houndmouth does best: "shaggy, swinging, big-screen storytelling" (NPR Music) set to a rustic, home-recorded sound.
