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A 1975 studio album that includes the hits "Johannesburg" and "A Lovely Day" that has been out of print. This package includes 4 bonus tracks. Double vinyl, OBI side spine, Gatefold jacket with 2 pockets, Printed inner sleeves and Gold & White Color Vinyl
With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa.
With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa.
Shabaka returns with his first full length album under his own name. Expanding off the meditative 2022 EP Afrikan Culture, his new album Perceive it's beauty, Acknowledge it's Grace is a deeply moving suite of primarily instrumental music.
These 1969 recordings (released 5 years later) combine Shepp's free jazz bonafides and a blend of blues and funk through an African lens, all in a big band setting.
"Get ready to rock with Wayne Shorter's biggest LP, 'Adams Apple'. With his unique blend of jazz and R&B, Shorter's music is sure to be a hit with any fan of soulful and groovy beats. This LP features some of his most electrifying performances yet,
Juju serves to emphasize what was distinctive in Shorter's approach as well as the similarities to Coltrane. Though he shared something of Coltrane's twisting line and hard sound, Shorter was far more interested in crafting conventional compositions, and
1964 was momentous for saxophonist Wayne Shorter, starting the year in Art Blakey & The Jazz Messengers before making his own debut (Night Dreamer/JuJu). He joined the Miles Davis Quintet that summer, cementing a seminal lineup in jazz history.
When Shorter entered Van Gelder Studio on Christmas Eve with Freddie Hubbard, Herbie Hancock, Ron Carter and Elvis Jones, they created a masterpiece with Speak No Evil, a transcendent set of six Shorter originals...
A decade into his recording career, pianist Horace Silver made the album that would endure as the crown jewel of a catalog that boasts numerous hard-bop classics.
This collection of songs is drawn from the early years of her releases and very much reflects her diversity of musical choices. Her work is amongst the very best and this album is a taster of her immense talent
Miss Simone's most loved and notable hits assembled in one package. From the evergreen track "Feeling Good," to the mysteriously romantic remake of "I Put a Spell on You" and many more, the album is the gift that will keep on giving.
Little Girl Blue documents Nina Simone's unparalleled and idiosyncratic musical persona at a particularly vibrant, formative stage, and helped launch her on a trajectory with more than its share of personal and professional trials and triumphs.
This release compiles a collection of rare tracks from the early stages of Nina Simone’s career. It is presented here for the first time ever on a single set. Among the treasures are her seldom heard earliest recordings, made in Atlantic City in 1956
Nina Simone's sixth album for Philips Records was Wild Is the Wind, released in 1966. The album was compiled from several recordings that were left over from sessions for previous Philips albums.
Wild Is The Wind, Nina Simone's sixth album for Philips, has all the variety her work for the label was known for-from the minimal title track to the traditional folk song "Black Is The Color Of My True Love's Hair" to the banned-on-radio "Four Women".
In the Wee Small Hours is the ninth studio album by American vocalist Frank Sinatra. It was released in April 1955 by Capitol and produced by Voyle Gilmore with arrangements by Nelson Riddle. All the songs on the album deal with themes such as loneliness,
Ultimate Sinatra's 180-gram 2LP version brims with 24 stellar recordings representing Frank Sinatra's unparalleled, six decade-long recording career. Ultimate Sinatra presents key recordings from the Chairman of the Board's Columbia, Capitol & Reprise rep
Jimmy Smith was a self-taught pianist who helped popularize the Hammond B3 organ with a revolutionary style that caught the ear of Alfred Lion at Blue Note who later dubbed him The Incredible Jimmy Smith.
