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Bitches Brew is a studio album by Miles Davis, originally released in 1970. It marked his continuing experimentation with electric instruments such as the electric piano and guitar in order to reject traditional jazz rhythms.
Miles Davis' performance at Jazz a Vienne on July 1, 1991 became one of his final live performances before he passed away on September 28, 1991, and this previously unreleased set includes two songs written by Prince, "Penetration" and "Jailbait".
'Round About Midnight is an album by jazz musician Miles Davis. It was his debut on Columbia Records, and was originally released in March 1957. The album took it's name from the Thelonious Monk song "'Round Midnight".
Pressed on 180-gram audiophile vinyl reissue. Recorded between November 1959 and March 1960 in New York City. An extended version of the second movement of Joaquin Rodrigo's 'Concierto de Aranjuez' is included, as well as a song called 'Will O' The Wisp',
Spanning over 40 years and seven labels, this set captures Miles at every stage of his career, from his early recordings with Bird through Miles' own triumphs to his late recordings.
Miles Davis was still near the start of his storied career when he cut the three sessions that comprise his Blue Note recordings in 1952, 1953, and 1954. In 1955, Blue Note compiled the tracks into two 12" LPs as part of the 1500 series.
Miles' early Blue Note sessions from 1952-54 yielded two later LPs that Blue Note released as part of the 1500 Series. Volume 2 is split between the blazing bebop and beautiful ballads that first made Miles famous.
Al Di Meola, a GRAMMY Award-winning artist, has achieved remarkable acclaim across a spectrum of genres, including flamenco, Latin, fusion, jazz, rock, and world music.
An ungraspable, ghostly, spooky album consisting of ten different journeys into the experimental sound world of Dictaphone's "minimalistic and subliminal elegancy"(ARTE), diving deeper into their "morbid instruments" concept.
Blue Note Classic Vinyl Series. Blues walk is a classic 50's hard bob/bebop recording. What sets the album apart from other albums of the same era is the subtle conga playing of Ray Barretto.
Afro-Cuban is an album by American jazz trumpeter Kenny Dorham. The first release of the album dates back to 1955 on 10" Vinyl, featuring only four tracks and having a different cover artwork. Some time later, Blue Note decided to add three tracks and iss
Kenny Dorham's first LP fronting his own quartet. He takes on a fluid, all-encompassing style in which he emulates the intricate technique of Miles Davis while also playing with the broad sound of trumpet players like Dizzy Gillespie.
Centered around one of the baddest Hammond organists from the ’70s, who generated a cult following for the albums he released on Oakland’s Black Jazz label.
Even though Duke Ellington and Coleman Hawkins had both been well-known jazzmen since the early 1920s, it wasn't until 1962 - at least 20 years after Duke first suggested it - that these two recorded their only session together.
The Tony Bennett Bill Evans Album (1975) brings together two legends of modern music. Featuring just vocal and piano, without any additional musicians.
Everybody Digs Bill Evans is an album by jazz musician Bill Evans. It was released in early 1959 on the Riverside label. Everybody Digs Bill Evans was Evans's second album, done two years after his first record as a leader. Though his producer (Orrin Keep
"Moonbeams was the first album Bill Evans made after the death of his musical right arm, bassist Scott LaFaro. An album of ballads, it was a startling return to the recording sphere and a major advancement in Evans' development as a leader." -Thom Jurek
