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Centered around one of the baddest Hammond organists from the ’70s, who generated a cult following for the albums he released on Oakland’s Black Jazz label.
Even though Duke Ellington and Coleman Hawkins had both been well-known jazzmen since the early 1920s, it wasn't until 1962 - at least 20 years after Duke first suggested it - that these two recorded their only session together.
The Tony Bennett Bill Evans Album (1975) brings together two legends of modern music. Featuring just vocal and piano, without any additional musicians.
They don’t make LP art — or music — like this anymore. DOL and Jackpot press this recording which is in the public domain. Both sound good but the Jackpot Records version seems to be higher quality (see if it's in stock in related products below).
Everybody Digs Bill Evans is an album by jazz musician Bill Evans. It was released in early 1959 on the Riverside label. Everybody Digs Bill Evans was Evans's second album, done two years after his first record as a leader. Though his producer (Orrin Keep
"Moonbeams was the first album Bill Evans made after the death of his musical right arm, bassist Scott LaFaro. An album of ballads, it was a startling return to the recording sphere and a major advancement in Evans' development as a leader." -Thom Jurek
The first of two albums recorded at the legendary final appearance of the Bill Evans Trio at the Village Vanguard, these recordings have long been recognized as capturing the unique interaction that characterized the trio of Evans, LaFaro and Motian.
Wax Time public domain reissue. This trio is widely regarded as his finest, largely because of the symbiotic interplay between its members. There is also a higher quality pressing available from Craft Recordings, see if in stock in related items below.
Waltz For Debby, the fourth and final album by one of the most influential groups in jazz history, the Bill Evans Trio, was originally released in 1962 as a companion to Sunday At The Village Vanguard.
Now cited as one of his best albums, Waltz for Debby was a live album from Bill Evans' trio and was the companion release to the critically acclaimed Sunday at the Village Vanguard.
Acoustic Sound Series. Limited 180gm vinyl LP pressing in gatefold jacket. After appearing together at an all-star concert the night before, Ella Fitzgerald and Louis Armstrong went into an L.A. studio to record this gem of an album.
AUDIOBOOK, the new project from multi-instrumentalist Sam Gendel and visual artist/filmmaker Marcella Cytrynowicz, consists of 13 tracks in conversation with 26 corresponding illustrations.
When Charlie Byrd toured South America in 1961, bossa nova - a melding of Brazilian samba rhythms with the harmonic structures and the cool sound of West Coast jazz - was booming.
Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim (Tom Jobim), who also composed many of the tracks.
Recorded in 1964 during two concerts at the venerable Greenwich Village venue, Cafe Au Go Go, two months after Astrud Gilberto's "Girl From Ipanema" became a Top 5 pop single.
Not Now Reissue. Jazz Samba is crucial and groundbreaking; after all, it came first, and in fact was the first full-fledged bossa nova album ever recorded by American jazz musicians. And it was just as commercially successful, topping the LP charts.
Gatefold 180-gram vinyl. Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim, who also composed many of the tracks.
A perennially-popular 1967 live album from the bebop trumpet pioneer, an effervescent, electrifying quintet recording also featuring his great friend and fellow bebop legend James Moody on various saxophones and flute.
