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A perennially-popular 1967 live album from the bebop trumpet pioneer, an effervescent, electrifying quintet recording also featuring his great friend and fellow bebop legend James Moody on various saxophones and flute.
Black Radio III, much like both of it's predecessors, is a cultural moment that celebrates black love and resilience, features an eclectic group of talented collaborators, and is composed by Glasper.
F*** Yo Feelings marks Glasper's first release of original music under his own name since ArtScience, the Robert Glasper Experiment's 2016 album, and his debut project on Loma Vista Recordings.
Robert Glasper's 2005 Blue Note debut, Canvas, signaled the arrival of a singular new voice in jazz. His 2007 follow-up, In My Element, solidified his status as a rising star who was taking the music some place new.
Recorded in early 1970 as part of CBC's Transcription series, just 250 copies of 'Beverly Copeland' were pressed. Original pressings are highly sought-after, but new re-pressings have finally made these incredible performances available to a wider audienc
Glenn-Copeland's new album, The Ones Ahead deepens these explorations, casting searching light into how all of us must dissolve the harms of this world and carry each other forward into the next.
Suave saxophone master Dexter Gordon had been living in Europe for several years when he returned to make his final Blue Note album, Gettin' Around, in 1965.
Featuring a quartet with Sonny Clark on piano, Butch Warren on bass, and Billy Higgins on drums, GO! Was a showcase of Gordon's limitless creativity on hard-swinging numbers as well as his peerless artistry on ballads
During a two-day period in July of 1967, tenor-saxophonist Dexter Gordon and his quartet recorded multiple albums worth of material at one of Gordon's favorite venues, the legendary Jazzhus Montmartre. Walk The Blues is pulled from the second night.
During a two-day period in July of 1967, tenor-saxophonist Dexter Gordon and his quartet recorded multiple albums worth of material at one of Gordon's favorite venues, the legendary Jazzhus Montmartre. Walk The Blues is pulled from the second night.
This may have been Grant Green's debut album, but all three of these musicians share equal responsibility in this magnificent January 28, 1961 date, remastered by original recording engineer Rudy Van Gelder.
Grant Green began his lengthy and prolific Blue Note career with the 1961 release of his debut album Grant's First Stand, a stellar soul jazz outing that featured the guitarist in an organ trio with Baby Face Willette on Hammond B3 and Ben Dixon on drums
Time and troubles seem to melt away during the fifteen enrapturing minutes of "Idle Moments," the opening track of Grant Green's sublime 1963 album of the same name.
Blue Note Tone Poet Series features all-analog, remastered sound. Guitarist Grant Green explored Latin and Brazilian influences on his highly enjoyable 1962 album, The Latin Bit.
"Experience the jazz mastery of Herbie Hancock on his album 'Inventions & Dimensions.' From the opening track to the last, you'll be captivated by Hancock's innovative use of rhythm and melody. From samba to hard bop, this album has it all.
Even by the high-water marks set by his tremendous 1960s output for Blue Note, 1965's Maiden Voyage remains one of the pinnacle artistic achievements of the great pianist's career.
This record may have been recorded towards the end of the Latin soul era, yet it features that genre's wonderful mix of Puerto Rican soul, Spanish Harlem Latin, and New York funk.
