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The heir to the Fernández dynasty presents his new album, Te Llevo en La Sangre, featuring the best of the ranchera tradition combined with current rhythms which take the genre to another level.
HEAVY CUMBIA GUITAR ROCK FROM 1960s COLOMBIA. Los Golden Boys quickly rose to the top of the Colombian "música tropical" scene by combining popular rock and twist influences with cumbia, gaita, porro and other local styles.
Inspired by old western film scores and vintage Latin American sounds, Hermanos Gutierrez's Dan Auerbach-produced album, El Bueno y El Malo, takes listeners on a hypnotic and sensual instrumental journey.
Freshly remastered from all-analog sources, the 1964 LP is pressed on 180-gram vinyl and housed in a tip-on jacket, replicating the album's original designs.
De Ti Depende (It's Up To You) is salsa legend Héctor Lavoe's second solo album, released on Fania Records in 1976, in which he steps out as the leader of his own orchestra for the first time.
La Voz is Hector's debut solo album after his split with Willie Colon and features many members from Willie's original band. His versatility as a vocalist and sonero is on display as he goes from boleros to Salsa with ease.
PAUSA + PLAY were released digitally only, this LP vinyl is available for the first time. Includes the hits "Tiburones", "Recuerdo", "A Veces Bien y A Veces Mal", Otra Noche en L.A." and many others.
SOY COMO QUIERO SER was Luis Miguel's first studio album signed under Warner Music which was released in 1987. Many of of the songs featured here are Spanish-language adaptations of popular songs from the 1960s, 1970s and 1980s.
Neoma has captivated fans from all over the world with her “sweet but powerful voice”. The bilingual electro-pop star began her music career in 2017 in her hometown Cuenca, Ecuador and hit the top of the charts with her single “Real.”
Opa's Goldenwings is a latin-jazz-fusion extravaganza that weaves a sonic world that lives at the intersection of lush three-part vocal harmonies, tender flute solos, pulsating percussions and robust synth textures.
A glorious return to the iconic grooves of an era indelibly marked by Benny Moré and Perez Prado in New York bands and Cuba's orquestas gigantes of the mid-twentieth century.
A glorious return to the iconic grooves of an era indelibly marked by Benny Moré and Perez Prado in New York bands and Cuba's orquestas gigantes of the mid-twentieth century.
