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HEAVY CUMBIA GUITAR ROCK FROM 1960s COLOMBIA. Los Golden Boys quickly rose to the top of the Colombian "música tropical" scene by combining popular rock and twist influences with cumbia, gaita, porro and other local styles.
\Blue/green splatter vinyl - The collection is a richly textured tapestry, interwoven with the intricate threads of Latin rhythms and ephemeral atmospherics.
Inspired by old western film scores and vintage Latin American sounds, Hermanos Gutierrez's Dan Auerbach-produced album, El Bueno y El Malo, takes listeners on a hypnotic and sensual instrumental journey.
Freshly remastered from all-analog sources, the 1964 LP is pressed on 180-gram vinyl and housed in a tip-on jacket, replicating the album's original designs.
De Ti Depende (It's Up To You) is salsa legend Héctor Lavoe's second solo album, released on Fania Records in 1976, in which he steps out as the leader of his own orchestra for the first time.
"Mi Latinoamérica Sufre" is a concept album whose sonic footprint was born from the desire to explore the untapped potential of the electric guitar in a tropical Latin context.
SOY COMO QUIERO SER was Luis Miguel's first studio album signed under Warner Music which was released in 1987. Many of of the songs featured here are Spanish-language adaptations of popular songs from the 1960s, 1970s and 1980s.
Neoma has captivated fans from all over the world with her “sweet but powerful voice”. The bilingual electro-pop star began her music career in 2017 in her hometown Cuenca, Ecuador and hit the top of the charts with her single “Real.”
Opa's Goldenwings is a latin-jazz-fusion extravaganza that weaves a sonic world that lives at the intersection of lush three-part vocal harmonies, tender flute solos, pulsating percussions and robust synth textures.
A glorious return to the iconic grooves of an era indelibly marked by Benny Moré and Perez Prado in New York bands and Cuba's orquestas gigantes of the mid-twentieth century.
A glorious return to the iconic grooves of an era indelibly marked by Benny Moré and Perez Prado in New York bands and Cuba's orquestas gigantes of the mid-twentieth century.
This nine-track LP showcases Piazzolla's skills as a composer, player, and arranger through some pieces from the latter part of his career, including tracks from film scores.
Ships 8/16/24 - The last collaboration between renowned Puerto Rican bandleader Tommy Olivencia and the great improvisational salsa singer Chamaco Ramirez released on Fania Records in 1975.
The king of the Latin-American dance field is Tito Puente. Once again the diminutive maestro demonstrates his dominance with this new recording of popular Latin-American rhythms.
