Dead Meadow sounded glad to be there, like they were rising to the occasion, like they realized it was more than just another gig, and Live at Roadburn 2011 resonates all the more for documenting that so well.
The great debut solo album of The Bristols Singer Fabienne Delsol! This record is the perfect blend of hipster coolness, French idolatry, and 60's girl group sound. Definitely music fit for a Tarantino soundtrack.
The reaction to Dengue Fever's music was so strong in the early 2000s that the band's sophomore album, 2005's Escape from Dragon House was an attempt to steady the waves their debut caused by expanding their boundaries writing original material.
A Swedish funk / psych / jazz rarity, it attracted little attention upon it's initial release and seemed doomed to obscurity, but thanks to crate-digging DJs, it has since seen a new lease of life as a highly prized cult classic amongst collectors.
Track A recorded at Earthling Studios in San Diego, CA.
Track B is from the Graciasland sessions, recorded at Earle Mankey's Jungle Room in 1000 Oaks, CA, presented here as a "karaoke mix" (lead vocals removed).
American garage rock band The Electric Prunes released their second studio album Underground in 1967. The band wrote many of the songs for this psychedelic garage rock album. In 2011, it was included in NME's "The 100 Greatest Albums You've Never Heard"
Taking notes from the British Invasion and inspiration under the San Francisco sun, the Flamin' Groovies became synonymous with the stylish, raunchy rock of the early-1960s, with Shake Some Action remaining their undisputed classic.
"Hooks so infectious they rot on impact. Trash Classic marks a feral mutation for Frankie and the Witch Fingers—a record that snarls with proto-punk venom, and electronic textures that cough and sputter like dying neon lights under a poisoned sky.
Trash Classic, a record that snarls with proto-punk venom, angular melodies, and electronic textures that cough and sputter like dying neon lights under a poisoned sky.
A globe-spanning collaboration featuring remixes that organically expand the palette of Gong Gong Gong into ambient club tracks, thumping dance music, cinematic soundscapes, and doomy bit-crushed psych.
The experimental rock institution who have cultivated a quarter-century career out of crate-plunging cultural curiosities - returns a mere two years after the lauded Anches en Maat with their most personal and emotionally resonant album to date.
A record as fearless as it is enthralling, an alternatingly fierce and joyous work that ascends to new heights as it reckons with desire and escape, love and surrender, rebellion and reality.
Released in 1993, Extra Width is the band's 2nd studio album and their signature sound is fully in place: thick, sludgy, dark: a turbulent, roiling mix of blues, funk and garage thrown together with reckless abandon.
