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The conception of Three Bells arcs, rainbow-like, into a land nearly beyond songs - but inside of them, Ty relentlessly pushes the walls further and further in his writing and playing to cast light into the most opaque depths.
Twins just might be the blast that ends it all - or the explosion that launches a brave new evolution? a fury of rock ensues: songs rigged to explode on a dime, fired from a cannon into the stratosphere.
The 1969 follow up to Silver Apple's debut found the duo digging into the far reaches of their songwriting psyches for a darker and more emotionally charged set of songs.
Ships 8/9/24 - Spacemen 3 makes an asset out of the newfound lack of percussion, giving The Perfect Prescription a considerably less rock-oriented sound with much more open space in it's varied, subtle arrangements.
The 4th and final studio album by Spacemen 3, is often considered the introduction of 2 brilliant solo projects (Spiritualized and Spectrum) rather than the work of a functioning band.
Rock critic Lester Bangs (cautionary warning: dead at 33 from an overdose of Darvon and NyQuil) wrote, 'In the beginning there was feedback: the machines speaking on their own, answering their supposed masters with shrieks of misalliance.'
Originally released in 1997 (on the same day as OK Computer), Ladies And Gentlemen We Are Floating In Space is the third album from Jason Pierce's post-Spacemen 3 project and his most brilliant work to date. A hypnotic, narcotic, psychedelic gospel album
Spiritualized's most celebrated album, and Kate Radley's last as a member, the core line-up added Damon Reece on drums as well as featuring contributions from Dr John, the London Community Gospel Choir, B.J Cole and 19 technical personnel.
This record is a step forward from Spiritualized's denser space rock of the first three full-lengths to a sweeping orchestral sound with large swaths of strings, brass and choir helping to fulfill the widescreen splendor.
Jason Pierce combines touches of gospel, the classical minimalism of Steve Reich and Terry Riley, and the swirling guitar rock of his old band, Spacemen 3.
The Strokes' fifth album is immediately appealing as they sound like they’re genuinely having fun. At times it feels like a mixtape the Strokes made for themselves: 11 songs, 11 different genre experiments.
Arriving on a wave of well-earned hype rooted in tight chops and a confident swagger, The Strokes offer a Rock & Roll antidote to the plague of boy bands, teen divas, and petulant rap-rock outfits.
LA/Joshua Tree based Sugar Candy Mountain deliver carefully built psychedelic odes in the style of Jacco Gardner and Tame Impala. Lime green LP + includes bonus track “Sucette”, previously a single-only release.
An album of inter-dimensional back alleys, ghost cabs; it creeps and tunes in on a much darker, sparser, and more classically minded channel than it's predecessors.
