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One of the few soundtracks Goblin did that was not a horror movie. Instead they nail the 70's police flick vibe perfectly, and in a way that only Goblin could do.
Wes Anderson's Franco-centric soundtrack features an original score by Oscar-winner Alexandre Desplat, music by E Georges Delerue, Grace Jones and Charles Aznavour, and a new version of the French pop hit "Aline" recorded by Jarvis Cocker.
End of The World sees the pair find catharsis in art amid compound disasters. As Wilson describes it, "I just started signing about things that were freaking me out. Wearing a mask for a year. Global warming. "