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With limitlessly innovative songwriting and production, the cinema of twigs’ music has never been more affecting. MAGDALENE is not just on the vanguard of pop, it’s in a breathtaking class of its own.
1998 was a fertile year defined by juggernaut projects from Black Star, Lauryn Hill, Outkast, and others, all of whom synced experimentation with foundational tenets that made the 1990s ferociously groundbreaking.
Eat the Elephant is the fourth studio album by American rock band A Perfect Circle. It is their first album release in fourteen years since 2004's Emotive.
Sunset Funeral, the band's debut LP, is a fog of dreamy grief, where feeling supersedes language. It's music, as guitarist Toni Ordaz puts it, "for people who don't know how to talk about how they feel."
F.U.N. T.O.Y. marks Sideshow's fifth full length project in a short four year span. The record arrives at a moment when Sideshow has the most momentum of his career.
Ships 3/14/25 - Emile Mosseri transforms the human experience into song. Musical storytelling is his lifeblood—a talent he has shared with songwriters and directors when scoring films, and has recently taken center stage in his work as a performing artist
Burnout Days, the forthcoming sophomore album finds Flipturn returning as sonic architects, harnessing their impressive knack for hooks, shimmering soundscapes and "nostalgia-inducing lyrical delivery" (Uproxx).
