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1964 was momentous for saxophonist Wayne Shorter, starting the year in Art Blakey & The Jazz Messengers before making his own debut (Night Dreamer/JuJu). He joined the Miles Davis Quintet that summer, cementing a seminal lineup in jazz history.
Cannonball Adderley and Bill Evans, both alumni of the Miles Davis group, would meet for the last and most potent time on Know What I Mean? Includes a version of Evan's Waltz for Debby.
Spanning over 40 years and seven labels, this set captures Miles at every stage of his career, from his early recordings with Bird through Miles' own triumphs to his late recordings.
Pitchfork called it a "swirl of stomach butterflies," NPR a "queerworm," Rolling Stone "one of the year's sweetest melodies, radiating the kind of pure pop bliss so many bands go for but almost never get this right."