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A couple years into the new millennium and the emo scene that once had enough space for a band as brazen in their fusion of slowcore, jazz, and post-hardcore as Boston's Karate would barely be reflected in a cookie-cutter style commercialized by major lab
For its fourth studio album, Fugazi began to move into more experimental styles of music, including noise punk, psychedelia, and dub. Fugazi opted to retreat from the in-your-face production values of In on the Kill Taker.