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Everybody Digs Bill Evans is an album by jazz musician Bill Evans. It was released in early 1959 on the Riverside label. Everybody Digs Bill Evans was Evans's second album, done two years after his first record as a leader. Though his producer (Orrin Keep
Wax Time public domain reissue. This trio is widely regarded as his finest, largely because of the symbiotic interplay between its members. There is also a higher quality pressing available from Craft Recordings, see if in stock in related items below.
Now cited as one of his best albums, Waltz for Debby was a live album from Bill Evans' trio and was the companion release to the critically acclaimed Sunday at the Village Vanguard.
"Moonbeams was the first album Bill Evans made after the death of his musical right arm, bassist Scott LaFaro. An album of ballads, it was a startling return to the recording sphere and a major advancement in Evans' development as a leader." -Thom Jurek
The first of two albums recorded at the legendary final appearance of the Bill Evans Trio at the Village Vanguard, these recordings have long been recognized as capturing the unique interaction that characterized the trio of Evans, LaFaro and Motian.
The Tony Bennett Bill Evans Album (1975) brings together two legends of modern music. Featuring just vocal and piano, without any additional musicians.
“Know What I Mean?” was originally released in 1960 as a collaboration between jazz saxophonist Cannonball Adderley and legendary pianist Bill Evans. This new edition of the album is pressed on 180-gram vinyl.
They don’t make LP art — or music — like this anymore. DOL and Jackpot press this recording which is in the public domain. Both sound good but the Jackpot Records version seems to be higher quality (see if it's in stock in related products below).
Ships 5/9/25 - Having formed in the late nineteen-nineties and releasing music, if that is what it was, from 2000-2004, McLusky disbanded soon afterwards