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Djo - the critically acclaimed brainchild of multi-talented musician/actor Joe Keery - makes it's long awaited return with the game-changing new album, DECIDE.
With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa.
With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa.
Isn't It Now? absolutely lands as a classic, it's mix of playfulness and earnestness, glittery pop and tessellated textures seeming to synthesize and update all that has ever made and still makes this band so compelling.
Recorded over three years and two continents including re-recording vocals with their new vocalist Nikki Brumen (ex-Pagan), Praise Armageddonism is Blood Command at their best yet.
"...I decided it was time to try and take that old cadillac sound from my childhood and use it as the modicum and put it through everything I've learned since then," -Tre Burt
In 1988, Mudhoney followed their instant-classic debut single with Superfuzz Bigmuff, a six-song EP so overflowing with chaotic rock energy it warped thousands of minds, and inspired countless guitarists to immediately search for the titular fuzz pedals.
The bright and polished New York indie-pop duo Cults gave US a promising self-titled debut a couple of years ago, and now they're set to follow it up with a second album called STATIC.
In 1983, Cyndi Lauper's debut album, She's So Unusual quickly became a worldwide sensation. It's legacy has lived on 40 years later as one of the most iconic albums of it's time.
The Ohio quartet stare down years of negativity, soured friendships, disappointment, and mistakes and flush it all away in the wake of hammering distortion, towering melodies, cinematic production, and unapologetically cathartic lyrics.
A haunting and riveting masterpiece - visionary songwriter Maria BC uses textured guitars, delicate vocals and an innate melodic sensibility to paint a deeply moving tapestry of sound.
Ray Baretto's most remarkable work of virtuosity that opens with an exploding, continuous roll that lasts with accents, tones and a series of Afro-Cuban rhythms thrown in at surprising moments along the way. Originally released in 1973.