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Self-written, produced and mixed by Krash over a span of five years, it’s an ambitious, deeply personal piece that sees Krash’s synth-powered production collide with rawly emotional songwriting.
Shapeshifting between electronic experimentation and acoustic texture, the Queens-based artist has long delved into themes of erosion and lithification, along with the infinite possibilities of metamorphosis.
Ribbons yields folkloric charm with an organic palette, incorporating a mostly acoustic-led approach exploring '60s and '70s psychedelia, soul, ambient, electronic and field recordings.
eggy Gou has ascended from underground sensation to global icon by sticking to her own unwavering vision, becoming one of the most in-demand electronic musicians and DJs in the world.
With his unmistakable sound-mix of jazz and swing samples and electronic music, Parov Stelar has secured his own unique position in the world of music.
Given The Fall's penchant for iconoclasm, it's no surprise that they decided to say goodbye to the '70s with a series of gigs at Northern England's gruffest halls. The band's formidable live show was met with even more derision and disorder than customary
Housed in gatefold jacket. For Richard Dorfmeister and Rupert Huber, the idea of rebirth is a creative driving force - an artistic device which not only informs their work, but anchors it.
Kill 'Em All is regarded as a groundbreaking album for thrash metal because of its precise musicianship, which fuses new wave of British heavy metal riffs with hardcore punk tempos.
Filled with flute and birdsong, Björk’s 10th album is deeply personal, a discovery of googly-eyed romance, a rebuke of violent men, and a generous offering of love song after love song. -- Jeremy Larson, Pitchfork