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The closeness of Natalie Mering's 3rd album conceals it's aspirations to the outside, to the "Earth" of it's title. These are not typical love songs or protest songs of folk before; they are painful, poignant riddles that celebrate the ambiguity of love.
Narcissism fatigue. A galaxy of isolation. These are the new norms keeping Weyes Blood (aka Natalie Mering) up at night and the themes at the heart of her release, And in the Darkness, Hearts Aglow.
The phantom zone, the parallax, the upside down - there is a rich cultural history of exploring in-between places. Through her latest, Titanic Rising, Weyes Blood aka Natalie Mering, has designed her own universe to soulfully navigate life's mysteries.
Lives Outgrown is the culmination of a decade's worth of songwriting for Gibbons, with the singer ruminating on motherhood, anxiety, menopause, and mortality over the course of the album's 10 tracks.
Jessica Pratt's gorgeous second record plays like acoustic dream-pop, with a warm, home-recorded atmosphere—finger-picked psychedelia, lucidly layered harmonies, hissy tape effects, an overcast haze—more dramatic and distinctive than her debut.
Jessica Pratt enlivens her timeless, placeless folk sensibilities with newfound instrumentation and an expanded ensemble, both under the influence of 60s spectral pop on her fourth LP.