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How do you describe an album out of time, concerned with the disappearance of culture, of humanity, of nature, of logic and emotion? Why make this album in an era when attention spans have been reduced to next to nothing, and the tactile grains of making
Twelve tracks recorded during two very different one-day sessions that explore the hypnotic states induced by ambient and minimalist music via the klang and propulsion of garage rock - from Deerhunter 2007.
An intensely beautiful, intensely difficult record. It is reclusive, cryptic, late-night paranoia music, so unsettling and loud that at times it's almost too intimate, even in the absence of any real identifying details.
The Spirit of the Beehive have a wide sonic palette within every song, pop rock rhythms and sweet melodies supporting dolefully sung detachment pair with atonal, crushingly heavy noise rock crafted perfectly to necessitate repeat listens.
Isn't It Now? absolutely lands as a classic, it's mix of playfulness and earnestness, glittery pop and tessellated textures seeming to synthesize and update all that has ever made and still makes this band so compelling.
It sounds like listening to a walkman from inside of a hurricane, like the YouTube videos you’d watch in bed for 18 hours straight after you break your wrist from a skateboarding accident.
On new album Funeral Sanctum, Witch Vomit expand the dark melodicism buried within the butchery of past releases, now sharpened into black obsidian and causticly fused with the band's hallmark brutality.