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To put the performance on Johnny Cash at San Quentin in a bit of perspective: Johnny Cash's key partner in the Tennessee Two, guitarist Luther Perkins, died in August 1968, just seven months before this set was recorded in February 1969.
Drawing on crazed rockabilly ancestors, James Heath and his long-time bassist Jimbo Wallace have helped bring rockabilly kicking and screaming into the modern age, marrying punk with rockabilly to create the psychobilly genre.
Little Feat have indeed led a storied life ever since they formed in 1969. From then on, their unconventional signature of earthy, organic appeal and polished, first-rate musicianship wrapped around eclectic and memorable songs.
The song and production background began when the band created a roadhouse in rural Australia, performing an unannounced month-long residency in the small Victorian town of Campbells Creek, whilst working on their sixth record.
This record may have been recorded towards the end of the Latin soul era, yet it features that genre's wonderful mix of Puerto Rican soul, Spanish Harlem Latin, and New York funk.