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History's pegged Jonathan Richman and the Modern Lovers as proto-punk, but it's only been with the benefit of hindsight that his music has found a place at all.
Building upon the foundation of Pink Flag, Wire flushed in a little more synth and keyboards to the mix while maintaining the short punk blasts they were known for.
New Jersey indie-rock pioneers The Feelies are celebrating their 40th anniversary with the release of In Between, their first album of all new material in over six years.
Incorporating a variety of genres, the album has been described as an amalgamation of indie rock and alternative R&B, with elements of funk, jazz, and psychedelia.
The Jesus Lizard's 2nd album followed in the vein of the first with little immediate variation: loud, excellently produced by Steve Albini, plenty of space in the recording to emphasize the sheer force of McNeilly's drums and Sims' bass, and more besides.
Cage the Elephant presents their second live record, aptly entitled Unpeeled, a 21-track belter of stripped-back, alternate versions of popular cuts from their back catalog, without losing any of the aforementioned grit or attitude.