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The two biggest constants throughout Xiu Xiu's catalog are honesty and evolution. This remains true with Dear God, I Hate Myself as it delivers a look at responsibility, fear, healing, and societal roles wrapped in rich gothic pop music.
Struck for circulation after 63 years in hock within the Lou-Mood Pictures vault, this previously unissued soundtrack traffics in the high-tone timbre and highball-sipping swoon of pop's post-war years.
This Singaporean five-piece explored the tolls of human indulgence through raw tonality and zippy jangle pop, poignantly celebrating the spirits of a natural world fast disappearing.
It proves to be a winning combination all around, with Brettin's warped pop sensibilities mingling nicely with the sonic exploration that the lads of Gizzard do so well.
Ships 3/14/25 - The record is one of the most hallucinogenic commercial pop albums of all time, with tracks like 'River Of Freedom' displaying true dancefloor chops.