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Bitches Brew is a studio album by Miles Davis, originally released in 1970. It marked his continuing experimentation with electric instruments such as the electric piano and guitar in order to reject traditional jazz rhythms.
Cannonball Adderley and Bill Evans, both alumni of the Miles Davis group, would meet for the last and most potent time on Know What I Mean? Includes a version of Evan's Waltz for Debby.
The Kansas City born trumpeter Carmell Jones was quickly signed by Pacific Jazz soon after his arrival in Los Angeles in 1960, and began a promising recording career with his impressive and accurately titled 1961 debut The Remarkable Carmell Jones.
Spanning over 40 years and seven labels, this set captures Miles at every stage of his career, from his early recordings with Bird through Miles' own triumphs to his late recordings.
A decade into his recording career, pianist Horace Silver made the album that would endure as the crown jewel of a catalog that boasts numerous hard-bop classics.
Most songs follow a gay parade character and their central issue – the silly xylophone and synth stories meet childlike whimsy with melancholic darkness.