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Ray Baretto's most remarkable work of virtuosity that opens with an exploding, continuous roll that lasts with accents, tones and a series of Afro-Cuban rhythms thrown in at surprising moments along the way. Originally released in 1973.
Freshly remastered from all-analog sources, the 1964 LP is pressed on 180-gram vinyl and housed in a tip-on jacket, replicating the album's original designs.
A glorious return to the iconic grooves of an era indelibly marked by Benny Moré and Perez Prado in New York bands and Cuba's orquestas gigantes of the mid-twentieth century.
A glorious return to the iconic grooves of an era indelibly marked by Benny Moré and Perez Prado in New York bands and Cuba's orquestas gigantes of the mid-twentieth century.
A varied album encompassing a variety of Afro-Cuban genres and rhythms entwined with flashes of mind-bending cosmic influence. It is a further jewel in Cuba's musical crown of riches, with plenty of dancefloor treats and downtempo numbers held within.
Nashville-based Brits, Ida Mae, have laid down a double-six on their second album, Click Click Domino. It’s the most authentic slice of Americana you will bask in this year.
Released as an illegal bootleg back in the early 1980s, Not About To Die were recordings made for EMI as demos for the 1978 and 1979 albums Chairs Missing and 154. Now Wire has chosen to release the album on their own Pinkflag imprint.