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Arriving from various points in Mexico, Panama, Cuba and Puerto Rico, this nine-man group led by Benny Velarde found each other and their music in San Francisco in the early 1970's.
Ray Baretto's most remarkable work of virtuosity that opens with an exploding, continuous roll that lasts with accents, tones and a series of Afro-Cuban rhythms thrown in at surprising moments along the way. Originally released in 1973.
Freshly remastered from all-analog sources, the 1964 LP is pressed on 180-gram vinyl and housed in a tip-on jacket, replicating the album's original designs.
A glorious return to the iconic grooves of an era indelibly marked by Benny Moré and Perez Prado in New York bands and Cuba's orquestas gigantes of the mid-twentieth century.
A glorious return to the iconic grooves of an era indelibly marked by Benny Moré and Perez Prado in New York bands and Cuba's orquestas gigantes of the mid-twentieth century.
"The king of modern Agbadja has mastered the art of blending ancestral Voodoo beats from his homeland Benin with Cuban rhythms, creating a fusion so seamless, at times, they're impossible to tell apart!" - Samy Ben Redjeb