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Bleeps, drones, tone sweeps echoes, the sound of a galaxy we were on the verge of inhabiting; it's a record at once wholly of its time and wholly of ours - since we live in that distant 21st century of weird electronic music.
The Bridge was originally released on Throbbing Gristle's Industrial Records label in 1979 and is considered to be an early electronic avant-garde synth-pop masterpiece.
With Kick IIIII, Arca focusesentirely on quieter ambient pieces, mainly on piano, plucked strings and swirling pads. Famed Japanese composer Ryuichi Sakamoto makes a guest vocal appearance on "Sanctuary".
"Rich in alternately picturesque and melancholic melodies, gentle machine beats, glistening countermelodies and gorgeous chords, the album brilliantly balances quietly euphoric dancefloor moments with a swathe of IDM and electronica..." -Juno Records
Pink color vinyl LP pressing of a rare classic of the 1970s French avant-garde unclassifiable trumpeter Jac Berrocal: Paralleles, originally released in 1976.
Their fourth album, with unreleased alternate takes of My Back Pages and Mind Gardens (both never even bootlegged!); It Happens Each Day; Don't Make Waves; Lady Friend, and the single version of Old John Robertson.
After 40 years as one of the longest running and most prolific groups in American Punk music, their latest full length offering, Great Disasters, ANTiSEEN aim to silence the doubters and unbelievers, and they hit their mark dead on.
Comprised of four black clad players from Denver, Colorado, the band's sound draws from the deep wells of black metal, gothic country, and Americana, creating a thunderous and uniquely American genre of metal all to their own.