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Arriving on the Japanese music scene during the late '60s, Jacks instantly distinguished themselves from their fluff-peddling, copycat peers with stripped-down, original compositions, nihilistic lyrics and raw performances.
This historic record happened when sax player Steve Marcus, upon visiting Japan alongside Herbie Mann and Woody Herman, accepted an invitation from Inagaki Jiro.
The album is a haunted house of spare, skittery guitar, spooky sound effects, abbreviated beats and Adrian's hollowed out, schizo vocals. If you are interested in early UK proto-Industrial music, give this a try.