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French boys Xavier de Rosnay and Gaspard Augé originally got their start in the music scene playing in bad Metallica and Nirvana cover bands, and the album art of Cross makes it look like a doomy metalcore release, but the record is anything but metal.
Re. Sort was conceived by Sora aka Takeshi Kurosawa. Soothing cut-ups and analog collages, Re. Sort is a miracle of Japanese electronica. Widely unknown but very necessary, bossa nova and jazz records float in the air.
Double vinyl LP pressing in gatefold jacket. Shout Out! To Freedom oscillates between electronica, jazz, hip-hop and contemporary styles. Although 9 albums into his career, Evelyn considers this album to be the first time he has truly found his sound.
In 2021, NNAMDÏ expanded his freewheeling sonic explorations for an entrée into the world of pop-infused dance and electronica with the release of the Are You Happy EP.
Latin Freestyle was a dizzying, passionate, ultra-modern music. It was the aural equivalent of a can of thirst-quenching Quatro or a Spanish Harlem dance-off, and it became the electronically constructed bridge between disco and house.
The UK producer's first EP for XL is a throwback to the early days of rave that folds together breakbeat hardcore, hip-house, techno, electro, and freestyle. After all these years, Burial's still got the touch.
Self-written, produced and mixed by Krash over a span of five years, it’s an ambitious, deeply personal piece that sees Krash’s synth-powered production collide with rawly emotional songwriting.