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The music recorded by Ernest Greene as Washed Out has been nothing if not dreamy, and on his second full-length, Paracosm, he takes the dreamlike, otherworldly atmospheres of his music beyond the nocturnal, computer/synth-based sounds of their acclaimed d
Anything in Return serves as a tidy synopsis of everywhere Bundick has taken Toro Y Moi to date. So there's silky R&B, roller-rink pop, bubblegum funk, tasteful chillout music, all unified by a voice that's grown more confident with time. -Pitchfork
Genre and sound-encompassing the shaggy psychedelic rock of the 1960s and '70s, and the airy sounds of 1990s mod-post-rock-taking listeners on an auditory expedition, as if they're riding in the back of Bear's Filipino jeepney that adorns the album's cove
'Live at The Fillmore Miami' features performances by Toro y Moi and Khruangbin. This series ignites both sides of the band's magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances.
Toro y Moi's 'Sandhills' is both a tender love letter to Chaz Bear's hometown of Columbia, South Carolina, and a poignant, bittersweet acceptance that one can never really go back home
An intensely beautiful, intensely difficult record. It is reclusive, cryptic, late-night paranoia music, so unsettling and loud that at times it's almost too intimate, even in the absence of any real identifying details.
"A sleazy, steamy rock 'n' roll record" - Simpson. The psychotic "soundtrack" that accompanies Simpson's rock anime of the same name. Best thing Neil Young never did!