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Pairing Jones' iconic delivery with Fraud's knack for cloud-like production, The Fraud Department elevates the duo's best attributes and showcases how their chemistry is undeniable.
The bands 4th album is a convergence of rock n' roll, R&B, psychedelia, stoner metal, gospel and jazz-funk. It turns explosive, elegant, and unhinged making for a majestic backdrop to the group's exploration of the strangest dimensions of the human psyche
Stone Gon' is the second release of Barry White, produced during the first half of the 70s. Includes the two chart-toppers, "Honey Please, Can't Ya See" and "Never, Never Gonna Give Ya Up."
This record is one of Barry White's first solo albums and features backing from The Love Unlimited Orchestra. An early collection of instrumental orchestral recordings and rare vocal cuts.
The sophomore album from global superstar Akon defined an entire era with it's global appeal. Club bangers like "Smack That," "I Wanna Love You," and "Don't Matter" kept the album in the Top 20 of the Billboard Hot 200 for 28 consecutive weeks.
Vancouver's burgeoning star Ekkstacy's highly anticipated self-titled album finds the artist concocting a timeless blend of sounds that exist in the crevices between subgenres like shoegaze, post-punk, and surf rock.
End of The World sees the pair find catharsis in art amid compound disasters. As Wilson describes it, "I just started signing about things that were freaking me out. Wearing a mask for a year. Global warming. "